There is significant controversy over Audible's announcement
last week of their new AudibleWordcast and the fact that it's
one more file format scheme. There is a
ton of mostly negative buzz from users and the cognoscenti. But it was Mitch Ratcliffe's acting-in-his-consultant-to-Audible capacity in a blog post
(BTW, read the comments if you read his post) that made me sit up and take notice. Responding to Mitch's post were Dave Winer, and Doc Searls (also Doc here and here).
Unfortunately Mitch took the time to piss-in-their-Wheaties instead of engaging in an honest debate. He starts off his post talking about Bill Gates and it made me wonder if Mitch, like Bill, thinks Dave, Doc, Om and others are communists since we're not all embracing Audible's scheme?
As a podcaster with a nice critical mass of listeners, I'm currently more interested in just doing the show as a fun hobby. Would that change? Maybe if it became so popular that storage and bandwidth got out of hand and I had to make the podcast self-supporting. Would I take advertising? I'm not sure though it would be hard to walk away from significant monthly sums if my little show became popular.
I'm a firm believer in value-for-value. If I do work for you, you pay me. All humans work toward their incentives (food, shelter, love, recognition, work) and podcasters' payoff for our effort is NOT always expressed by podcasting-value in exchange for monetary-value. Incentives for podcasting vary widely by individual (some for the love of podcasting, some for a crusade, others for community, others for money) so there needs to be some sort of payoff for people's effort and energy devoted to podcasting.
All Audible addressed was money and is focused on what I perceive is their primary audience: content/copyright holders like publishers.
The Essence of the Audible Issue
They didn't address podcasters needs in their announcement. The controversy being played out isn't over value-to-value exchange, but rather is over .mp3 vs. the new Audible .aa format and the supposed robust service they're offering to podcasters enabling them to make money from their podcasts. This is clearly all about being Audible being the conduit for advertisers to tap in to this new podcasting phenomena and has *nothing* to do with podcasters themselves. I don't believe they're offering enough value for podcasters to turn our heads toward Audible.
Is it a good thing for podcasting to have yet another file format and is it even necessary to facilitate measurement and auditing? Is Audible even in the best position to perform this middle-man type service? Or is what Audible has launched, like I believe, completely unnecessary as there are already ways to measure and track podcast listening?
The supposed benefits of .aa is measurement and tracking and the ability to monetize podcasts. But as I said in my post about Apple and what they know about YOU whenever you re-synch your iPod to iTunes, I believe that measuring and tracking is occurring and monetization can happen without resorting to yet another, completely unnecessary file format.
As a capitalist first and foremost, I realize that there needs to be
aligned incentives in any market...but especially one exploding like podcasting while traditional radio dies and advertisers scramble to throw their money in to the places where people are focusing their attention.
- Incentives for podcasters include the ability to freely and openly
create and deliver podcasts. The mp3 format delivers a free and
unfettered delivery to all listeners regardless of device and its easy to deliver as one file format does it all. Some (and I believe an increasing number) of podcasters would enjoy being paid for podcasting while many would absolutely refuse advertising in any form. But if the money comes, some (or many) podcasters will follow so monetary incentives are a good thing and yes, there needs to be measurement.
a) Storage and bandwidth are becoming less and less of an issue...which Audible used as additional justification for using their new service and which I think is bogus.
For $6.95 per month, my host (Blue Host) offers 10GB's of storage and 250GB's of bandwidth per month. At an average of 20MB's per mp3 podcast (that's a rough average estimate), that would allow 12,500 shows to be downloaded each month and few podcasters have that level of subscriber base (and there are free options like Ourmedia and cheap ones like Libsyn). So there's little incentive to use Audible for that service.
b) What if I wanted Audible to donate my funds to a worthy cause? Or provide a value conduit of some other kind (like visibility or promotion) for the podcaster?
- Incentives for advertisers (and Audible's scheme) is to measure podcast attention and pay for the access to that attention...and they REALLY want to get in the podcasting game...but as I pointed out in my Apple post, this is already possible without Audible (though not yet offered).
- Incentives for copyright holders (e.g., book publishers) is to find a way to tie a purchase to a listener and to measure the listening. Did they skip the ad or did they listen to it? Again, this is already in place and is something Apple has yet to implement.
- Audible must be SCARED TO DEATH that free podcasts are killing their business and are DESPERATE to get in the podcasting game -- but doing so with a new file format is a really bad idea since they're offering little else to podcasters that isn't either bogus (storage and bandwidth) or nebulous (For example, where is their matrix that shows the number of shows and how much I as a podcaster would make on each subscriber? If I have 300 subscribers does that mean I get $1 each? $3? $5? Or $.10?)
I now have 35 hours worth of incredibly compelling content on my iPod from major media outlets and indie podcasters, with shows that cover the gamut of science, technology and even health. While it's cool to listen to books on my iPod (usually many hours for each), I find that I'd much rather consume bite-sized content in the time I have to pay attention to podcasts instead of stretching my listening out over many, many days. Podcasts fit that perfectly and audio books do not.
Where is Apple?
The last question I have is -- if Apple does have the ability to measure and quantify downloads, listening *and* skipping as I said in this post -- then where are they? Why have they not gone-to-market with a measurable/auditable service for content creators? I think I know the answer, which is that Apple absolutely needs to tread carefully where publishers, record companies, movie studios are concerned. If they go too boldly in to becoming the hub of distribution, playing and quantification, then *all* of these content-centric industries will immediately see the disruption Apple could create on all of these industries simultaneously...and they'd work to crush Apple.